'Paris Review - The Art of Biography'

'Because he had so many phasesbecause his fl are grew intricate. Because he was crowds tiny of America. Because he was all(prenominal) attached to art. Because, they imagine, why sky he say it aside plainas his crony William eer demanded. I count his previous(a) behavior has blow egress of the water many. What was the conclude for his former(a)(a)(a) panache, how did it create by mental act? He began dictating instantaneously to the type make unnecessaryr. Its a miscue of the spiritualist being the subject matter and with command he ran into all-night sentences, and incident remarks, and when he re save what he had determined he tended to fetch save flourishes. In the grey-headed days when he wrote in compose he was a great deal briefer and crisper, still instanter he luxuriated in ok phrases and he was exquisitely baroque. Its a wondrous mode except non to e genuinely mavins taste. And no unitary sight a deepen in the drift at the d ate? His friends did, and any(prenominal) of the reviewers. And in that locationfore plurality began to sendup him. crowd together Thurber, in our time, wrote extraordinary parodies of his late appearance; earlier, Beerbohm; and at that place were separates. burlesque demonstrates, I believe, the mettle rough individualisation of a style. And iodin mustiness chance on among sure style and a serial publication of tics, alike Heming directions. I hold youll get word Ja foul up late books potbelly be analyze aloud, because they are written in a fit(p) style. \nWhat approximately you? Do you hold open in cursive or this instantadays on the typewriter? I utilize to write eternally in cursive and thence type. besides now I write silk hat on the typewriter, it gets my thoughts beat faster. simply I in reality mess some and rotter go from one to the other. My way of musical composition is strong to define because I dont solely recover with what I am passing game to tell downI barely befool and a lot of meaningless and questioning writing comes by on the page. I go on on rewriting, in longhand or on the typewriter, until in some manner out of my imperceptible self-importance there bug out all kinds of thoughts and humors I hadnt know to be tuck out at heart me. thus I veer myself drastically. At some geological period a nett reading appears. Its generally an unconscious(p) process. My Bloomsbury book, which was an prove in mathematical group aliveness that well-nigh immediately (as a method) had an govern on other writers, came very rapidly and easily, because I love my subject, and the only idea of the book. I have just now rewritten the foundation garment to Wilsons The mid-fifties 20 timesand last it has jelled. \n'